The
2009 NZ DMC Champs are taking place on 08/08/09 at Zen Bar in Auckland.
That means you have just over 4 weeks to design your 6 minute
masterpiece and take that title.
Those that know me well will recognize my expertise in this area. There
isn't a year that goes by where fans don't encourage me to enter again.
I gotta be honest and say that competing in DJ Battles is simply not on
my radar at present. But I do see it as a highly significant (dare i
say 'necessary'?) part of any Hip-Hop DJ's apprenticeship. The Battle
is where you earn your respect, establish your profile and most
importantly, hone your craft. I encourage any aspiring DJ to challenge
themselves and ENTER. The rewards from this unique experience are
immeasurable.
So with this blog, instead of showing off what I
can do on a pair of turntables, I thought I would share with you the
method which I used to prepare, compose and rehearse my battle winning
sets during my competitive years. Thus...
Prepare, Compose and Rehearse. Approaching your practice sessions with solid structure is key. This is how I break it down:
1.
PREPARATION (Practice) - Any time you are practicing is preparation for
the next battle. Putting your self through drills, repeating the same
scratch or beat juggle pattern over and over until you have it locked,
is very important. You should be doing this ALL the time (not just near
battle time). Jamming and fine tuning the things you know plus pushing
yourself to master new techniques is essential during practice. I would
easily commit 4-6 hours a day practicing. Not on any one routine
necessarily, but just honing my instrument.
2. COMPOSITION - I
would begin the process of composing my battle routines as soon as the
competition date had been announced (if not before!). I'd make the
proper enquiries regarding the battle format (ie. how long are the
sets, how many do I need to prepare so that I am equipped for every
round etc..) and then the creative process would begin. Because you
have been practicing you should already have an arsenal of cuts,
scratches and tricks that you can apply to any record. So now is the
time to have fun selecting what records sound good and discovering
which tracks have the elements you need to create a dope, entertaining
and impressive routine. Depending on how far away the battle was I
might spend months on composing a whole bunch of routines. But in the
case of NZ DMC 2009, YOU have 4 weeks to create and perform a 6 minute
routine, so I would give you a strict 2 weeks to compose all the pieces
you need, because you are going to need the remaining 2 weeks for...
3.
REHEARSAL - This is the MOST important and oft overlooked part of
preparing for a successful battle performance. Too often DJ's approach
the stage with routines only composed the night before and proceed to
forget parts, lose their cool and/or blame technical problems for the
simple fact they were not well rehearsed and therefore fucked their
routine up. By now if you have spent 2 weeks composing then you
should have settled on a final 6 minute routine. So what I advise you
to do is line up all the records for your routine, in order, in a big
stack next to the turntables. Then grab a stop watch, set it to
countdown 6 minutes, and go through your routine. Once. Without
stopping. If you make a mistake keep going, you are on the clock! Now
review your performance. How many mistakes did you make? What parts
didn't work? Address all the issues. And run through it again. And
again, and again. Until its running smoothly. It might take days to get
it smooth, but you have two weeks so stop stressing and go over it
again.
Now once you are able to get through the whole set
smoothly with NO mistakes you can smile, give yourself a brief pat on
the back and then continue to rehearse the same routine over and over
and over again. Until your hands hurt, until your back hurts, until
your head hurts, until you know the thing forwards, backwards and are
borderline losing your mind from repeating this damn process. Then grab
a glass of water and do it again. During this 2 weeks if you find yourself at home sitting on the couch watching shortland street. Get up off your ass and do your routine again. And when you're reading my blog and Twitter and bullshitting online, slap yourself and GO REHEARSE!!! If
you follow these steps then by battle time you will have your set
committed to memory so well that of the million things that can (and
quite possibly will) go wrong on the night your set will not be one of
them! Even if the needle skips, you will know how to get back on track
so quickly that no-one will notice but you. Trust me. I know.
I
strongly advise you to stick to this plan and spend the next 2 weeks
composing routines using the techniques you ALREADY KNOW and can DO
WELL. Don't create routines beyond your current ability. If there is an
amazing trick that you only get right once every 20 times, leave it out
and put that on the list of things to practice in advance of the NEXT
battle.
Use the skills you have NOW to compose routines you can pull of cleanly.
Make a dope fun set that sounds good to you and to OTHERS.
Rehearse your set and enter that battle with the calmness and confidence that only comes from being on top of your shit.
Your goal is to perform flawlessly the material you have prepared.
Best of luck!
P-MONEY 3rd Place 2001 DMC WORLD DJ CHAMPIONSHIPS 2001 NZ DMC CHAMP 1999-2000-2001 NZ ITF DJ BATTLE CHAMP |
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